GRfield guide

The GR after dark

Every GR lens opens to f/2.8 and no wider, so how well a given camera copes after dark comes down to three things: ISO, image stabilisation, and how long it can hold the shutter open. Those differ a lot across the range.

BodyISO rangeStabilisationND filter
Ricoh GR IIISO 100-25600none listednot listed
Ricoh GR IIIISO 100-1024003-axis2EV (AUTO / ON / OFF)
Ricoh GR IIIxISO 100-1024003-axis2EV (AUTO / ON / OFF)
Ricoh GR IVISO 100-2048005-axis2EV (AUTO / ON / OFF)
Ricoh GR IVxISO 100-2048005-axis2EV (AUTO / ON / OFF)

What those numbers are worth

Ignore the top of the ISO range. A camera listing ISO 204800 is not usable at ISO 204800 — that number is there for the spec sheet, and pictures taken near it look rough. What the range does tell you is roughly how much room a camera has: the GR IV generation has meaningfully more than the GR III generation, which in turn has much more than the GR II.

Stabilisation does more for you. It lets you hold the camera by hand for longer without the picture smearing, which means you can keep the ISO lower — and lower ISO always looks better. The GR II lists no stabilisation at all, which is the biggest single gap between it and every newer model here.

Stabilisation steadies the camera, not the subject. It does nothing about a person walking. For anything moving you still need shutter speed, which means ISO. This is the most common misreading of what IBIS does.

Set a minimum shutter speed and an ISO ceiling

Auto ISO on a GR lets you set both the upper limit and the minimum shutter speed. Set them deliberately: left alone, Auto ISO will climb to the top of its range rather than let the shutter drop. Around 1/60 for static scenes and 1/125 for people is a reasonable starting point. Auto ISO setup →

The ND filter is not for the dark

Every model from the GR III onward has a built-in ND filter; the GR II's spec sheet lists none. It is effectively sunglasses for the lens, for shooting in bright sun — the opposite of a low-light tool. Leave it on AUTO or OFF after dark, because leaving it ON just throws away light you need.

Snap focus stops helping

Snap focus works because everything near your chosen distance comes out acceptably sharp. In dim light the lens opens up, and that forgiving zone gets much narrower — so more shots miss. Switch to autofocus at night, or expect a lower hit rate. More on snap focus →

What the specs cannot tell you

Whether the grain at ISO 6400 looks acceptable to you is a judgement no spec sheet settles. For that, look for people who have shot one at night.